The China Mail - Oscar-nominated '20 days in Mariupol': from normality to ruins

USD -
AED 3.672501
AFN 66.10335
ALL 82.046926
AMD 381.188581
ANG 1.790403
AOA 916.9998
ARS 1456.993801
AUD 1.489458
AWG 1.8
AZN 1.702368
BAM 1.661153
BBD 2.012698
BDT 122.229536
BGN 1.659072
BHD 0.376998
BIF 2955.543289
BMD 1
BND 1.284786
BOB 6.920509
BRL 5.5709
BSD 0.999342
BTN 89.816753
BWP 13.13855
BYN 2.886166
BYR 19600
BZD 2.00981
CAD 1.36855
CDF 2200.000072
CHF 0.788699
CLF 0.023311
CLP 914.503248
CNY 7.005902
CNH 6.98971
COP 3721.74
CRC 495.084404
CUC 1
CUP 26.5
CVE 93.653652
CZK 20.610397
DJF 177.955197
DKK 6.34258
DOP 62.707294
DZD 129.560241
EGP 47.67036
ERN 15
ETB 155.381251
EUR 0.84921
FJD 2.272302
FKP 0.740878
GBP 0.739825
GEL 2.685004
GGP 0.740878
GHS 10.942185
GIP 0.740878
GMD 73.999642
GNF 8735.085559
GTQ 7.661992
GYD 209.076161
HKD 7.777715
HNL 26.345047
HRK 6.398201
HTG 130.847947
HUF 328.233983
IDR 16765
ILS 3.18925
IMP 0.740878
INR 89.90875
IQD 1310
IRR 42124.999465
ISK 125.170277
JEP 0.740878
JMD 159.201614
JOD 0.709046
JPY 156.037502
KES 128.910485
KGS 87.411495
KHR 4004.925481
KMF 418.504821
KPW 900.000979
KRW 1437.28984
KWD 0.30777
KYD 0.832785
KZT 501.65835
LAK 21601.44389
LBP 89504.53339
LKR 309.799342
LRD 177.377641
LSL 16.621552
LTL 2.95274
LVL 0.60489
LYD 5.407793
MAD 9.101132
MDL 16.758467
MGA 4561.843083
MKD 52.273509
MMK 2100.336705
MNT 3556.548102
MOP 8.001444
MRU 39.887054
MUR 46.060321
MVR 15.459508
MWK 1732.837881
MXN 17.96825
MYR 4.054031
MZN 63.898682
NAD 16.621552
NGN 1448.029918
NIO 36.771262
NOK 10.035298
NPR 143.706975
NZD 1.719495
OMR 0.384497
PAB 0.999346
PEN 3.365283
PGK 4.31574
PHP 58.88401
PKR 279.909714
PLN 3.58966
PYG 6772.693492
QAR 3.652633
RON 4.326902
RSD 99.617002
RUB 78.502008
RWF 1456.035673
SAR 3.750329
SBD 8.133497
SCR 14.356448
SDG 601.498647
SEK 9.17085
SGD 1.28363
SHP 0.750259
SLE 24.09594
SLL 20969.503664
SOS 570.08175
SRD 38.249029
STD 20697.981008
STN 20.805911
SVC 8.744028
SYP 11056.906484
SZL 16.615777
THB 31.514499
TJS 9.198768
TMT 3.5
TND 2.906393
TOP 2.40776
TRY 42.940535
TTD 6.793927
TWD 31.363403
TZS 2464.16901
UAH 42.212294
UGX 3614.836458
UYU 39.240001
UZS 12048.837456
VES 294.601185
VND 26260
VUV 120.879191
WST 2.770882
XAF 557.135152
XAG 0.01334
XAU 0.000229
XCD 2.70255
XCG 1.80104
XDR 0.692897
XOF 557.135152
XPF 101.293131
YER 238.350007
ZAR 16.65805
ZMK 9001.200677
ZMW 22.384542
ZWL 321.999592
  • SCS

    0.0200

    16.14

    +0.12%

  • JRI

    0.0100

    13.48

    +0.07%

  • BCC

    -0.6000

    74.53

    -0.81%

  • CMSC

    -0.0200

    23.07

    -0.09%

  • RIO

    -1.8400

    80.4

    -2.29%

  • GSK

    0.0300

    49.11

    +0.06%

  • CMSD

    -0.0100

    23.1

    -0.04%

  • BTI

    -0.2500

    57.02

    -0.44%

  • NGG

    -0.1900

    77.45

    -0.25%

  • BCE

    0.3300

    23.38

    +1.41%

  • AZN

    -0.3800

    92.52

    -0.41%

  • RELX

    0.2700

    41.38

    +0.65%

  • RBGPF

    0.3400

    81.05

    +0.42%

  • VOD

    0.0300

    13.15

    +0.23%

  • RYCEF

    -0.2800

    15.28

    -1.83%

  • BP

    0.1800

    34.45

    +0.52%

Oscar-nominated '20 days in Mariupol': from normality to ruins
Oscar-nominated '20 days in Mariupol': from normality to ruins / Photo: © AFP/File

Oscar-nominated '20 days in Mariupol': from normality to ruins

Laying out the horrors of the early days of Russia's invasion of Ukraine, documentary "20 days in Mariupol" was on Tuesday nominated for an Oscar.

Text size:

Almost two years on from the start of Russia's attack, the film recounts the dying days of a major city.

"Wars start with silence", filmmaker Mstyslav Chernov says on day one of the 2022 onslaught, as he enters Mariupol by car with his colleague, Associated Press photographer Evgeniy Maloletka.

The journalists, both Ukrainian, know that the southern strategic port will be one of the first targets for Moscow's troops.

Chernov films the last images of a still "normal" city before it was reduced to rubble.

As the shelling begins, the pair encounter a horrified woman asking what she should do.

"They don't shoot civilians," Chernov reassures her, telling the woman to return to her home -- only to add in voice-over: "I was wrong".

Her neighbourhood is bombed soon after and the filmmakers find her again in a gym where hundreds of families are sheltering.

Images of so many men, women and children leave the viewer wondering how many lives will be claimed by the war.

Chernov has a premonition that "something terrible" is coming to Mariupol.

Just three days into their attack, Russian forces began encircling the city, while a quarter of its population had fled.

Those left behind would face carnage.

Chernov said on Tuesday that he hoped the Oscar nomination would bring more people to see the film.

"I feel that I owe the people of Mariupol, and it's my duty to make sure that their stories not forgotten," he said.

- 'Film it! Show it!' -

One week into the war, Chernov and Maloletka are the only international reporters still in Mariupol.

On their perch at the hospital -- one of the only sites enjoying some degree of protection -- they witness the deaths of children and parents' fathomless grief.

Managing to show respect even through the chaos, Chernov films weeping doctors' desperate struggle to save the life of a four-year-old girl, Evangelina.

A father is seen moaning over the dead body of his "beloved son" Ilya, 16, while the parents of 18-month-old Kyrill simply collapse.

"Film it! Show it!" one doctor at the end of his tether urges the cameraman.

The lens captures stretcher-bearers' frantic dashing, people lying in the corridors shaken by bombardment, blood, suffering and nurses taking a brief cigarette break.

"The world has fallen apart and we're smoking," one says with a smile, as if to keep the horror at bay.

Getting their images to the outside world becomes an obsession for the two journalists, even as Mariupol is under siege and cut off.

They encounter wild-eyed people and bodies lying in the street as they step out to search for mobile signal and to film the city's death throes.

People stripped of emotion calmly loot a shop in front of the camera as the owner pleas and a soldier barks for "solidarity".

"The city has changed so fast," Chernov narrates.

As the camera records bodies tossed into mass graves, he adds: "My brain will desperately want to forget all this, but the camera will not let it happen".

"If the world saw everything that happened in Mariupol, it would give at least some meaning to this horror," he hopes.

- Maternity hospital -

On March 9, the war's 14th day, Mariupol's maternity hospital was bombed.

The AP journalists' images of that day have become landmark documents of the war and of atrocities attributed to Russian forces in Ukraine.

When the pair hear Moscow has accused them of staging the pictures with actors, they hunt out the survivors.

But they learn that Iryna, a pregnant woman whose picture on a stretcher was seen worldwide, died with her baby.

They follow the difficult birth of a baby girl to one of the survivors in their quest to get proof out to the world.

In the end, Ukrainian special forces were sent in a high-stakes mission to retrieve the journalists and keep them out of Russian hands as the invaders entered the city.

Leaving Mariupol in a Red Cross convoy, Chernov cannot help but think of those he is "abandoning", whose "tragedies will never be known".

At least 25,000 people died in the 86-day siege of Mariupol, according to authorities in Ukraine, where the fighting remains fierce.

D.Peng--ThChM