The China Mail - Oscar-nominated 'F1' sound engineers recreate roar of racetrack

USD -
AED 3.672499
AFN 64.999832
ALL 81.552772
AMD 366.630457
AOA 917.999813
ARS 1489.000801
AUD 1.423336
AWG 1.80125
AZN 1.696537
BAM 1.704958
BBD 2.014323
BDT 123.500054
BHD 0.377098
BIF 2997.5
BMD 1
BND 1.288438
BOB 11.776757
BRL 5.079204
BSD 1.000144
BTN 95.643343
BWP 13.666518
BYN 2.926621
BYR 19600
BZD 2.011551
CAD 1.401425
CDF 2275.000019
CHF 0.806085
CLF 0.023517
CLP 925.550288
CNY 6.75525
CNH 6.748255
COP 3123.68
CRC 454.698009
CUC 1
CUP 26.5
CVE 96.650318
CZK 21.00855
DJF 177.719972
DKK 6.48802
DOP 58.225023
DZD 132.720078
EGP 51.067901
ERN 15
ETB 161.431274
EUR 0.86792
FJD 2.2159
FKP 0.752629
GBP 0.742979
GEL 2.620166
GGP 0.752629
GHS 11.695038
GIP 0.752629
GMD 74.000073
GNF 8767.497828
GTQ 7.631252
GYD 209.250324
HKD 7.843035
HNL 26.796557
HRK 6.538099
HTG 130.770404
HUF 314.678013
IDR 18047.55
ILS 3.065011
IMP 0.752629
INR 95.68505
IQD 1310.144928
IRR 1375000.000161
ISK 123.770418
JEP 0.752629
JMD 158.178054
JOD 0.709025
JPY 160.313503
KES 129.380055
KGS 87.450338
KHR 4040.000471
KMF 430.489287
KRW 1427.759703
KWD 0.30975
KYD 0.833486
KZT 474.467668
LAK 22680.000296
LBP 89549.999771
LKR 335.944208
LRD 181.502706
LSL 16.610071
LTL 2.95274
LVL 0.60489
LYD 6.405043
MAD 9.384497
MDL 17.612958
MGA 4276.037626
MKD 53.381169
MMK 2099.843283
MNT 3596.223753
MOP 8.081004
MRU 40.110254
MUR 47.209828
MVR 15.460051
MWK 1735.999754
MXN 17.34035
MYR 4.073699
MZN 63.9098
NAD 16.609838
NGN 1364.46002
NIO 36.806179
NOK 9.52755
NPR 153.023838
NZD 1.702725
OMR 0.384503
PAB 1.000183
PEN 3.389081
PGK 4.412771
PHP 61.530405
PKR 277.896617
PLN 3.73841
PYG 5977.552577
QAR 3.644196
RON 4.553197
RSD 101.892035
RUB 79.7233
RWF 1467
SAR 3.731666
SBD 8.071551
SCR 13.538544
SDG 599.999986
SEK 9.53975
SGD 1.28241
SLE 24.700419
SOS 571.597937
SRD 37.745027
STD 20697.981008
STN 21.357556
SVC 8.751444
SZL 16.588428
THB 33.379876
TJS 9.23614
TMT 3.51
TND 2.957132
TRY 47.513597
TTD 6.788482
TWD 32.410311
TZS 2647.497976
UAH 44.620072
UGX 3745.886455
UYU 40.231012
UZS 12006.538084
VES 743.296098
VND 26281.5
VUV 119.53128
WST 2.752524
XAF 571.846899
XAG 0.016914
XAU 0.000244
XCD 2.70255
XCG 1.802561
XDR 0.711998
XOF 571.826959
XPF 103.964258
YER 238.324997
ZAR 16.50745
ZMK 9001.220974
ZMW 18.677697
ZWL 321.999592
  • RBGPF

    3.2100

    69.21

    +4.64%

  • CMSD

    -0.0200

    22.02

    -0.09%

  • CMSC

    0.1200

    21.81

    +0.55%

  • GSK

    -1.1500

    52.07

    -2.21%

  • BCE

    -0.6300

    21.7

    -2.9%

  • RELX

    -1.6200

    36.61

    -4.43%

  • NGG

    1.5100

    80.39

    +1.88%

  • BCC

    -2.3000

    75.38

    -3.05%

  • BTI

    -1.3800

    61.69

    -2.24%

  • RYCEF

    1.1600

    19.63

    +5.91%

  • JRI

    0.1100

    12.87

    +0.85%

  • RIO

    3.5200

    97.18

    +3.62%

  • BP

    0.9000

    44.22

    +2.04%

  • AZN

    -1.9600

    171.34

    -1.14%

  • VOD

    0.0100

    16.14

    +0.06%

Oscar-nominated 'F1' sound engineers recreate roar of racetrack
Oscar-nominated 'F1' sound engineers recreate roar of racetrack / Photo: © AFP/File

Oscar-nominated 'F1' sound engineers recreate roar of racetrack

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes?

Text size:

That was the challenge faced by the sound team behind the edge-of-your-seat Oscar-nominated Formula One blockbuster "F1: The Movie."

"It was important to keep the energy of an actual Formula 1 race alive," Gwendolyn Yates Whittle, a sound engineer who has worked on dozens of productions including "Titanic" and all three "Avatar" films, told AFP.

Yates Whittle confesses she was not exactly a fan of motorsports when she took on the film.

Brad Pitt stars as a grizzled veteran brought in to shore up a foundering F1 squad run by his one-time teammate, played by Javier Bardem.

The team's talented rookie driver (Damson Idris) resents the older man, with their difficult relationship forming the emotional backbone of a movie whose plot shares similarities with director Joseph Kosinski's previous hit "Top Gun: Maverick."

Yates Whittle -- who is nominated alongside Gareth John, Juan Peralta, Al Nelson, and Gary A. Rizzo -- said the sound designers wanted viewers to feel as if they were inside the cars.

The team wanted "to try to recreate for someone who's never been in an F1 car, what it feels like to be an F1 car, what it feels like to be in the stands if you've never been to an F1 race."

Yates Whittle, whose resume features more than 120 credits, said the devil was in the details, ensuring that the movie's rapid cuts interspersed the sounds of engines, tires, brakes and radio communications -- and that all were "crystal clear" for audiences.

"It was a challenge, but a good one," she said with a smile.

The end result has so far earned the team a BAFTA and a Critics Choice Award.

At the Academy Awards on March 15, they will compete against engineers for "Frankenstein," "Sinners," "One Battle After Another" and the Spanish film "Sirat."

- Veteran vs rookie -

"F1: The Movie" has been a hit for Apple, raking in more than $630 million worldwide, and surprised industry watchers with a nomination in the prestigious best picture category, to sit alongside those in sound, editing and visual effects.

John, who won an Oscar last year for his work on "Dune: Part Two," said it had been "fantastic" to see the reaction to the film, which features cameos from real-life drivers including seven-time champion Lewis Hamilton, as well as Fernando Alonso and Lando Norris.

The sound team had to quickly immerse themselves in the sport when work started, heading straight to the racetrack to study the sounds of the circuits.

"We had so much fun making it just being thrown into the world of Formula One," John said.

For Peralta, the sound mixer who is a first-time nominee, combining his profession with a long-time passion added an extra layer of complexity.

"I've been a Formula One fan for a long time, so I was very nervous to try to represent Formula One the best way I could, and also put it in the theater, which is something we're not used to," he told AFP.

"That environment was a challenge, but I accepted it, and I had a lot of fun."

Q.Moore--ThChM