The China Mail - Oscar-nominated 'F1' sound engineers recreate roar of racetrack

USD -
AED 3.672504
AFN 62.503991
ALL 81.475528
AMD 375.904226
ANG 1.789731
AOA 917.000367
ARS 1397.000367
AUD 1.40746
AWG 1.795
AZN 1.70397
BAM 1.654723
BBD 2.01083
BDT 122.001777
BGN 1.647646
BHD 0.373451
BIF 2962.138838
BMD 1
BND 1.263844
BOB 6.898769
BRL 5.131104
BSD 0.99835
BTN 90.842252
BWP 13.14015
BYN 2.890139
BYR 19600
BZD 2.007953
CAD 1.36445
CDF 2210.000362
CHF 0.771158
CLF 0.022126
CLP 873.660396
CNY 6.85815
CNH 6.86112
COP 3758.873049
CRC 471.085917
CUC 1
CUP 26.5
CVE 93.290748
CZK 20.519204
DJF 177.782478
DKK 6.324304
DOP 60.264817
DZD 128.696645
EGP 47.492703
ERN 15
ETB 154.85562
EUR 0.846204
FJD 2.19255
FKP 0.7407
GBP 0.743356
GEL 2.680391
GGP 0.7407
GHS 10.642582
GIP 0.7407
GMD 72.503851
GNF 8755.869538
GTQ 7.657684
GYD 208.875164
HKD 7.82315
HNL 26.419899
HRK 6.375904
HTG 130.86848
HUF 318.940388
IDR 16802.45
ILS 3.135765
IMP 0.7407
INR 91.076504
IQD 1307.838741
IRR 1314315.000352
ISK 121.470386
JEP 0.7407
JMD 155.658023
JOD 0.70904
JPY 156.06504
KES 128.73641
KGS 87.450384
KHR 4002.70739
KMF 417.00035
KPW 899.969408
KRW 1439.803789
KWD 0.30654
KYD 0.832015
KZT 497.262998
LAK 21368.924235
LBP 89404.12031
LKR 308.744025
LRD 183.197259
LSL 15.886882
LTL 2.95274
LVL 0.60489
LYD 6.305681
MAD 9.142773
MDL 17.087017
MGA 4234.527687
MKD 52.155337
MMK 2099.949955
MNT 3583.748993
MOP 8.046026
MRU 39.846863
MUR 46.370378
MVR 15.450378
MWK 1731.29151
MXN 17.235204
MYR 3.891304
MZN 63.905039
NAD 15.886882
NGN 1362.440377
NIO 36.744363
NOK 9.509204
NPR 145.347942
NZD 1.670146
OMR 0.380837
PAB 0.99835
PEN 3.349719
PGK 4.357206
PHP 57.740504
PKR 279.044799
PLN 3.57445
PYG 6430.898092
QAR 3.629088
RON 4.315038
RSD 99.310462
RUB 77.186006
RWF 1458.60654
SAR 3.749615
SBD 8.045182
SCR 13.729007
SDG 601.503676
SEK 9.030904
SGD 1.264604
SHP 0.750259
SLE 24.550371
SLL 20969.49935
SOS 569.567241
SRD 37.722038
STD 20697.981008
STN 20.728457
SVC 8.735564
SYP 110.55196
SZL 15.883921
THB 31.160369
TJS 9.499471
TMT 3.5
TND 2.893777
TOP 2.40776
TRY 43.920368
TTD 6.776936
TWD 31.390367
TZS 2540.885824
UAH 43.044799
UGX 3599.137019
UYU 38.351876
UZS 12129.954736
VES 416.836204
VND 26045
VUV 118.917841
WST 2.704188
XAF 554.978637
XAG 0.010657
XAU 0.00019
XCD 2.70255
XCG 1.799315
XDR 0.690215
XOF 554.978637
XPF 100.901053
YER 238.550363
ZAR 15.92852
ZMK 9001.203584
ZMW 18.864588
ZWL 321.999592
  • BCC

    -0.9000

    82.74

    -1.09%

  • NGG

    0.0500

    93.77

    +0.05%

  • JRI

    0.1200

    13.29

    +0.9%

  • CMSD

    -0.3100

    23.28

    -1.33%

  • BCE

    0.6400

    26.31

    +2.43%

  • GSK

    1.0600

    59.13

    +1.79%

  • RIO

    0.2500

    99.34

    +0.25%

  • CMSC

    -0.4299

    23.45

    -1.83%

  • RBGPF

    0.1000

    82.5

    +0.12%

  • AZN

    4.4700

    208.45

    +2.14%

  • BTI

    -0.0200

    62.65

    -0.03%

  • RYCEF

    -0.0600

    18.4

    -0.33%

  • VOD

    -0.0400

    15.36

    -0.26%

  • RELX

    0.7300

    34.79

    +2.1%

  • BP

    0.8700

    38.86

    +2.24%

Oscar-nominated 'F1' sound engineers recreate roar of racetrack
Oscar-nominated 'F1' sound engineers recreate roar of racetrack / Photo: © AFP/File

Oscar-nominated 'F1' sound engineers recreate roar of racetrack

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes?

Text size:

That was the challenge faced by the sound team behind the edge-of-your-seat Oscar-nominated Formula One blockbuster "F1: The Movie."

"It was important to keep the energy of an actual Formula 1 race alive," Gwendolyn Yates Whittle, a sound engineer who has worked on dozens of productions including "Titanic" and all three "Avatar" films, told AFP.

Yates Whittle confesses she was not exactly a fan of motorsports when she took on the film.

Brad Pitt stars as a grizzled veteran brought in to shore up a foundering F1 squad run by his one-time teammate, played by Javier Bardem.

The team's talented rookie driver (Damson Idris) resents the older man, with their difficult relationship forming the emotional backbone of a movie whose plot shares similarities with director Joseph Kosinski's previous hit "Top Gun: Maverick."

Yates Whittle -- who is nominated alongside Gareth John, Juan Peralta, Al Nelson, and Gary A. Rizzo -- said the sound designers wanted viewers to feel as if they were inside the cars.

The team wanted "to try to recreate for someone who's never been in an F1 car, what it feels like to be an F1 car, what it feels like to be in the stands if you've never been to an F1 race."

Yates Whittle, whose resume features more than 120 credits, said the devil was in the details, ensuring that the movie's rapid cuts interspersed the sounds of engines, tires, brakes and radio communications -- and that all were "crystal clear" for audiences.

"It was a challenge, but a good one," she said with a smile.

The end result has so far earned the team a BAFTA and a Critics Choice Award.

At the Academy Awards on March 15, they will compete against engineers for "Frankenstein," "Sinners," "One Battle After Another" and the Spanish film "Sirat."

- Veteran vs rookie -

"F1: The Movie" has been a hit for Apple, raking in more than $630 million worldwide, and surprised industry watchers with a nomination in the prestigious best picture category, to sit alongside those in sound, editing and visual effects.

John, who won an Oscar last year for his work on "Dune: Part Two," said it had been "fantastic" to see the reaction to the film, which features cameos from real-life drivers including seven-time champion Lewis Hamilton, as well as Fernando Alonso and Lando Norris.

The sound team had to quickly immerse themselves in the sport when work started, heading straight to the racetrack to study the sounds of the circuits.

"We had so much fun making it just being thrown into the world of Formula One," John said.

For Peralta, the sound mixer who is a first-time nominee, combining his profession with a long-time passion added an extra layer of complexity.

"I've been a Formula One fan for a long time, so I was very nervous to try to represent Formula One the best way I could, and also put it in the theater, which is something we're not used to," he told AFP.

"That environment was a challenge, but I accepted it, and I had a lot of fun."

Q.Moore--ThChM