The China Mail - Reality has no allure for Mexico's Oscar-winning director at Venice

USD -
AED 3.672504
AFN 66.344071
ALL 83.58702
AMD 382.869053
ANG 1.789982
AOA 917.000367
ARS 1405.057166
AUD 1.540832
AWG 1.805
AZN 1.70397
BAM 1.691481
BBD 2.013336
BDT 122.007014
BGN 1.69079
BHD 0.374011
BIF 2943.839757
BMD 1
BND 1.3018
BOB 6.91701
BRL 5.332404
BSD 0.999615
BTN 88.59887
BWP 13.420625
BYN 3.406804
BYR 19600
BZD 2.010326
CAD 1.40485
CDF 2150.000362
CHF 0.80538
CLF 0.024066
CLP 944.120396
CNY 7.11935
CNH 7.12515
COP 3780
CRC 501.883251
CUC 1
CUP 26.5
CVE 95.363087
CZK 21.009504
DJF 177.720393
DKK 6.457204
DOP 64.223754
DZD 129.411663
EGP 46.950698
ERN 15
ETB 154.306137
EUR 0.86435
FJD 2.28425
FKP 0.759642
GBP 0.759936
GEL 2.70504
GGP 0.759642
GHS 10.930743
GIP 0.759642
GMD 73.000355
GNF 8677.076622
GTQ 7.659909
GYD 209.133877
HKD 7.78025
HNL 26.282902
HRK 6.514104
HTG 133.048509
HUF 332.660388
IDR 16685.5
ILS 3.26205
IMP 0.759642
INR 88.639504
IQD 1309.474904
IRR 42100.000352
ISK 126.580386
JEP 0.759642
JMD 160.439
JOD 0.70904
JPY 153.43504
KES 129.203801
KGS 87.450384
KHR 4023.264362
KMF 421.00035
KPW 899.998686
KRW 1455.990383
KWD 0.306904
KYD 0.83302
KZT 524.767675
LAK 21703.220673
LBP 89512.834262
LKR 304.684561
LRD 182.526573
LSL 17.315523
LTL 2.95274
LVL 0.60489
LYD 5.458091
MAD 9.265955
MDL 17.042585
MGA 4492.856402
MKD 53.206947
MMK 2099.464216
MNT 3582.836755
MOP 8.007472
MRU 39.595594
MUR 45.910378
MVR 15.405039
MWK 1733.369658
MXN 18.451604
MYR 4.176039
MZN 63.950377
NAD 17.315148
NGN 1436.000344
NIO 36.782862
NOK 10.160376
NPR 141.758018
NZD 1.776515
OMR 0.38142
PAB 0.999671
PEN 3.37342
PGK 4.220486
PHP 58.805504
PKR 282.656184
PLN 3.665615
PYG 7072.77311
QAR 3.643196
RON 4.398804
RSD 102.170373
RUB 80.869377
RWF 1452.42265
SAR 3.750713
SBD 8.230592
SCR 13.652393
SDG 600.503676
SEK 9.529804
SGD 1.301038
SHP 0.750259
SLE 23.203667
SLL 20969.499529
SOS 571.228422
SRD 38.599038
STD 20697.981008
STN 21.189281
SVC 8.746265
SYP 11056.879504
SZL 17.321588
THB 32.395038
TJS 9.226139
TMT 3.51
TND 2.954772
TOP 2.342104
TRY 42.209038
TTD 6.77604
TWD 30.981804
TZS 2455.000335
UAH 41.915651
UGX 3498.408635
UYU 39.809213
UZS 12055.19496
VES 228.194038
VND 26310
VUV 122.189231
WST 2.820904
XAF 567.301896
XAG 0.020684
XAU 0.00025
XCD 2.70255
XCG 1.801521
XDR 0.707015
XOF 567.306803
XPF 103.14423
YER 238.503589
ZAR 17.303704
ZMK 9001.203584
ZMW 22.615629
ZWL 321.999592
  • SCS

    0.0000

    15.76

    0%

  • RIO

    0.0600

    69.33

    +0.09%

  • CMSC

    0.0700

    23.85

    +0.29%

  • BCE

    0.0200

    23.19

    +0.09%

  • CMSD

    0.0900

    24.1

    +0.37%

  • BTI

    0.3800

    54.59

    +0.7%

  • JRI

    -0.0100

    13.74

    -0.07%

  • NGG

    1.4600

    77.75

    +1.88%

  • BCC

    -0.0900

    70.64

    -0.13%

  • BP

    0.7600

    36.58

    +2.08%

  • GSK

    -0.4700

    46.63

    -1.01%

  • AZN

    0.8100

    84.58

    +0.96%

  • RBGPF

    -0.7800

    75.22

    -1.04%

  • VOD

    0.2400

    11.58

    +2.07%

  • RELX

    -1.1200

    42.27

    -2.65%

  • RYCEF

    0.0800

    14.88

    +0.54%

Reality has no allure for Mexico's Oscar-winning director at Venice
Reality has no allure for Mexico's Oscar-winning director at Venice / Photo: © AFP

Reality has no allure for Mexico's Oscar-winning director at Venice

It is one of the most unforgettable opening scenes to play at the Venice Film Festival: a baby pushed back into its mother because, he informs the doctor, who would want to live in this screwed-up world?

Text size:

That was the fantastical and audacious opening that marked Alejandro Gonzalez Inarritu's return to the big screen on Thursday, after a seven-year hiatus following back-to-back Oscars.

"BARDO, False Chronicle of a Handful of Truths" is a deeply personal film that brings the director back to his home country of Mexico following two Best Director Academy Awards in 2015 and 2016 for "Birdman" and "The Revenant".

The film "wasn't developed by my mind, but by my heart", he told journalists, calling the nearly three-hour Netflix film an "emotional reinterpretation of a memory".

The film centres on journalist played by Daniel Gimenez Cacho about to accept a major prize in America -- success that sparks an existential, mid-life crisis and increasingly fuzzy lines between reality and memory.

"Every time, I'm less interested in reality in film," Inarritu said, calling it "limbo".

Featuring sweeping dreamscapes involving the parched Mexican desert, a post-apocalyptic Mexico City and the ruins of an Aztec citadel, the film is anchored by real-world relationships, between fathers and sons, husbands and wives, or even people and their homelands.

- Cortez and criminals -

We see Mexico's pained history in dreams -- scores of natives massacred by Cortes' 16th century invaders, or Mexican patriots desperately fending off US troops in the Mexican-American war -- as well as today's reality in the form of migrants making perilous attempts to cross the US border.

In one scene, heaps of plantains pile up in a deserted Mexico City street, as "desaparecedos" -- the tens of thousands of disappeared Mexicans abducted by criminal gangs or the state -- fall from the sky.

Racial and social inequalities within Mexican society are touched upon, but with a lighter touch than seen in "New Order" by Michel Franco, a violent, searing indictment of the gap between Mexico's rich and poor that won Venice's Grand Jury prize in 2020.

"Mexico is not a country, it's a mental state for me," said Inarritu, who said he wanted to examine the "longing" for one's country after having himself left Mexico for Los Angeles over two decades ago.

"But when you get far away from that place and when time goes by, this state of mind dissolves and changes."

B.Carter--ThChM