The China Mail - Reality has no allure for Mexico's Oscar-winning director at Venice

USD -
AED 3.673042
AFN 71.000368
ALL 87.350403
AMD 389.04246
ANG 1.80229
AOA 917.000367
ARS 1126.879559
AUD 1.55885
AWG 1.8
AZN 1.70397
BAM 1.738435
BBD 2.018337
BDT 121.453999
BGN 1.737995
BHD 0.376954
BIF 2932.5
BMD 1
BND 1.297726
BOB 6.907279
BRL 5.648504
BSD 0.999613
BTN 85.311254
BWP 13.553823
BYN 3.271247
BYR 19600
BZD 2.00792
CAD 1.39435
CDF 2872.000362
CHF 0.831705
CLF 0.024339
CLP 934.000361
CNY 7.237304
CNH 7.24022
COP 4237.5
CRC 507.357483
CUC 1
CUP 26.5
CVE 98.250394
CZK 22.179804
DJF 177.720393
DKK 6.632104
DOP 58.850393
DZD 133.028566
EGP 50.592208
ERN 15
ETB 132.903874
EUR 0.888604
FJD 2.269204
FKP 0.751086
GBP 0.751654
GEL 2.74504
GGP 0.751086
GHS 13.15039
GIP 0.751086
GMD 71.503851
GNF 8655.503848
GTQ 7.68865
GYD 209.738061
HKD 7.77885
HNL 25.840388
HRK 6.698104
HTG 130.545889
HUF 359.260388
IDR 16550.45
ILS 3.54213
IMP 0.751086
INR 85.42235
IQD 1310
IRR 42100.000352
ISK 130.610386
JEP 0.751086
JMD 158.892834
JOD 0.709304
JPY 145.43404
KES 129.503801
KGS 87.450384
KHR 4015.00035
KMF 436.503794
KPW 899.980663
KRW 1396.150383
KWD 0.306704
KYD 0.833015
KZT 515.881587
LAK 21610.000349
LBP 89600.000349
LKR 298.663609
LRD 199.503772
LSL 18.250381
LTL 2.95274
LVL 0.60489
LYD 5.435039
MAD 9.252504
MDL 17.132267
MGA 4465.000347
MKD 54.675907
MMK 2099.383718
MNT 3576.154424
MOP 8.008568
MRU 39.550379
MUR 45.710378
MVR 15.403739
MWK 1737.000345
MXN 19.45015
MYR 4.297039
MZN 63.903729
NAD 18.250377
NGN 1607.110377
NIO 36.475039
NOK 10.37045
NPR 136.497651
NZD 1.692048
OMR 0.384771
PAB 0.999604
PEN 3.641039
PGK 4.063039
PHP 55.367038
PKR 281.203701
PLN 3.76205
PYG 7991.751368
QAR 3.64075
RON 4.549804
RSD 104.183425
RUB 82.455285
RWF 1424
SAR 3.750833
SBD 8.343881
SCR 14.195211
SDG 600.503676
SEK 9.708504
SGD 1.298204
SHP 0.785843
SLE 22.750371
SLL 20969.483762
SOS 571.503662
SRD 36.702504
STD 20697.981008
SVC 8.746395
SYP 13001.597108
SZL 18.250369
THB 32.960369
TJS 10.345808
TMT 3.51
TND 3.01625
TOP 2.342104
TRY 38.745804
TTD 6.790839
TWD 30.261404
TZS 2697.503631
UAH 41.524787
UGX 3658.552845
UYU 41.785367
UZS 12885.000334
VES 92.71499
VND 25978.5
VUV 121.153995
WST 2.778453
XAF 583.049567
XAG 0.03055
XAU 0.0003
XCD 2.70255
XDR 0.718649
XOF 575.503595
XPF 106.450363
YER 244.450363
ZAR 18.19735
ZMK 9001.203587
ZMW 26.314503
ZWL 321.999592
  • RBGPF

    65.2700

    65.27

    +100%

  • CMSD

    0.0100

    22.34

    +0.04%

  • BCE

    0.4800

    22.71

    +2.11%

  • GSK

    -0.2500

    36.62

    -0.68%

  • RIO

    0.8000

    59.98

    +1.33%

  • SCS

    -0.0200

    10.46

    -0.19%

  • BCC

    -0.9600

    88.62

    -1.08%

  • NGG

    0.5100

    70.69

    +0.72%

  • CMSC

    -0.0500

    22.06

    -0.23%

  • BTI

    -1.6600

    41.64

    -3.99%

  • RELX

    0.3486

    53.85

    +0.65%

  • RYCEF

    0.0500

    10.55

    +0.47%

  • AZN

    0.2700

    67.57

    +0.4%

  • VOD

    0.0500

    9.3

    +0.54%

  • JRI

    0.0300

    12.98

    +0.23%

  • BP

    1.1800

    29.77

    +3.96%

Reality has no allure for Mexico's Oscar-winning director at Venice
Reality has no allure for Mexico's Oscar-winning director at Venice / Photo: © AFP

Reality has no allure for Mexico's Oscar-winning director at Venice

It is one of the most unforgettable opening scenes to play at the Venice Film Festival: a baby pushed back into its mother because, he informs the doctor, who would want to live in this screwed-up world?

Text size:

That was the fantastical and audacious opening that marked Alejandro Gonzalez Inarritu's return to the big screen on Thursday, after a seven-year hiatus following back-to-back Oscars.

"BARDO, False Chronicle of a Handful of Truths" is a deeply personal film that brings the director back to his home country of Mexico following two Best Director Academy Awards in 2015 and 2016 for "Birdman" and "The Revenant".

The film "wasn't developed by my mind, but by my heart", he told journalists, calling the nearly three-hour Netflix film an "emotional reinterpretation of a memory".

The film centres on journalist played by Daniel Gimenez Cacho about to accept a major prize in America -- success that sparks an existential, mid-life crisis and increasingly fuzzy lines between reality and memory.

"Every time, I'm less interested in reality in film," Inarritu said, calling it "limbo".

Featuring sweeping dreamscapes involving the parched Mexican desert, a post-apocalyptic Mexico City and the ruins of an Aztec citadel, the film is anchored by real-world relationships, between fathers and sons, husbands and wives, or even people and their homelands.

- Cortez and criminals -

We see Mexico's pained history in dreams -- scores of natives massacred by Cortes' 16th century invaders, or Mexican patriots desperately fending off US troops in the Mexican-American war -- as well as today's reality in the form of migrants making perilous attempts to cross the US border.

In one scene, heaps of plantains pile up in a deserted Mexico City street, as "desaparecedos" -- the tens of thousands of disappeared Mexicans abducted by criminal gangs or the state -- fall from the sky.

Racial and social inequalities within Mexican society are touched upon, but with a lighter touch than seen in "New Order" by Michel Franco, a violent, searing indictment of the gap between Mexico's rich and poor that won Venice's Grand Jury prize in 2020.

"Mexico is not a country, it's a mental state for me," said Inarritu, who said he wanted to examine the "longing" for one's country after having himself left Mexico for Los Angeles over two decades ago.

"But when you get far away from that place and when time goes by, this state of mind dissolves and changes."

B.Carter--ThChM