The China Mail - 'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

USD -
AED 3.672504
AFN 64.000368
ALL 81.218818
AMD 360.140403
ANG 1.789785
AOA 918.000367
ARS 1535.901041
AUD 1.422162
AWG 1.8025
AZN 1.70397
BAM 1.747092
BBD 2.014338
BDT 124.158076
BGN 1.747831
BHD 0.377606
BIF 3001.375712
BMD 1
BND 1.27771
BOB 12.126707
BRL 5.444041
BSD 1.000156
BTN 94.912544
BWP 13.81787
BYN 2.946066
BYR 19600
BZD 2.011399
CAD 1.395705
CDF 2315.000362
CHF 0.82388
CLF 0.025122
CLP 991.960396
CNY 6.661104
CNH 6.65376
COP 3194.61
CRC 454.787056
CUC 1
CUP 24.001751
CVE 98.497943
CZK 21.826604
DJF 177.720393
DKK 6.69771
DOP 60.620679
DZD 135.836762
EGP 55.999304
ERN 15
ETB 161.461739
EUR 0.89621
FJD 2.243704
FKP 0.747647
GBP 0.746735
GEL 2.603861
GGP 0.747647
GHS 11.651465
GIP 0.747647
GMD 74.000355
GNF 8851.589159
GTQ 7.645651
GYD 209.633474
HKD 7.84405
HNL 26.880818
HRK 6.76901
HTG 131.032142
HUF 327.808504
IDR 18157
ILS 3.14456
IMP 0.747647
INR 94.97545
IQD 1516.088114
IRR 1868415.000352
ISK 121.903814
JEP 0.747647
JMD 158.924129
JOD 0.70904
JPY 157.42404
KES 129.870385
KGS 87.448704
KHR 4080.593508
KMF 441.00035
KPW 899.999961
KRW 1334.320383
KWD 0.31115
KYD 0.833434
KZT 453.459704
LAK 22517.911061
LBP 89559.597295
LKR 332.651457
LRD 170.008263
LSL 16.666696
LTL 2.95274
LVL 0.60489
LYD 6.428964
MAD 9.833447
MDL 17.902128
MGA 4523.771239
MKD 55.008665
MMK 2099.909661
MNT 3597.883233
MOP 8.081288
MRU 40.55493
MUR 47.280378
MVR 15.450378
MWK 1733.828824
MXN 18.790835
MYR 4.058204
MZN 63.910377
NAD 16.666696
NGN 1346.210377
NIO 36.803459
NOK 9.198635
NPR 151.859892
NZD 1.77492
OMR 0.384513
PAB 1.00025
PEN 3.46149
PGK 4.551281
PHP 63.685038
PKR 276.672235
PLN 3.946904
PYG 5859.074911
QAR 3.645686
RON 4.783204
RSD 105.270373
RUB 80.670664
RWF 1476.317024
SAR 3.7544
SBD 8.058206
SCR 13.773786
SDG 601.503676
SEK 9.82292
SGD 1.277985
SHP 0.748335
SLE 22.903667
SLL 20969.504398
SOS 571.533215
SRD 37.619504
STD 20697.981008
STN 21.886236
SVC 8.750648
SYP 13001.999685
SZL 16.6622
THB 33.790369
TJS 9.205654
TMT 3.5
TND 2.990728
TOP 2.40776
TRY 49.947704
TTD 6.780948
TWD 32.642038
TZS 2641.198038
UAH 45.361884
UGX 4250.396409
UYU 40.208322
UZS 11995.497668
VES 887.479804
VND 25803.5
VUV 119.217464
WST 2.773901
XAF 587.875497
XAG 0.020402
XAU 0.000257631363
XCD 2.70255
XCG 1.802387
XDR 0.707052
XOF 587.875497
XPF 106.533507
YER 236.203589
ZAR 16.72541
ZMK 9001.203584
ZMW 20.167407
ZWL 321.999592
SSP 5745.199062
MXV 2.11783
  • RYCEF

    0.4000

    19.71

    +2.03%

  • CMSC

    0.0000

    20.4

    0%

  • BTI

    0.4200

    56.05

    +0.75%

  • BP

    0.2800

    44.43

    +0.63%

  • RBGPF

    1.6000

    67

    +2.39%

  • RIO

    -0.1500

    94.41

    -0.16%

  • AZN

    -0.4300

    166.15

    -0.26%

  • GSK

    0.4600

    49.7

    +0.93%

  • BCE

    -0.4100

    20.56

    -1.99%

  • NGG

    -0.2500

    75.24

    -0.33%

  • VOD

    -0.0400

    16.58

    -0.24%

  • RELX

    -0.4500

    33.07

    -1.36%

  • BCC

    -0.5500

    76.59

    -0.72%

  • CMSD

    -0.0300

    20.27

    -0.15%

  • JRI

    -0.2500

    10.77

    -2.32%

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame
'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame / Photo: © AFP

'Larger than life': Indian film-maker Rajamouli shoots for Oscar fame

Indian director S.S. Rajamouli's films are all-singing, all-dancing spectacles -- and he is now a favourite to secure the first ever Oscar for an all-Indian film.

Text size:

His three-hour extravaganza "RRR" is a fictionalised story of two colonial-era revolutionaries, filled with large-scale, visual effects-laden action sequences and musical numbers.

It has smashed box offices in India, wowed audiences from the United States to Japan, and is a front runner for the Best Original Song award at next month's Oscars, having already beaten out Taylor Swift and Rihanna for the same prize at the Golden Globes.

"When I'm going to a movie, I would like to see larger-than-life characters, larger-than-life situations, larger-than-life drama," Rajamouli told AFP.

"And that's what I like to make," he said at his office in the southern city of Hyderabad.

"Nothing holds the heroes back in delivering their action sequences."

A word-of-mouth hit that has seen moviegoers dancing in cinema aisles, Telugu-language "RRR" has become one of the highest-grossing Indian movies ever.

It has also introduced the country's lesser-known but prolific southern cinema industry to a worldwide audience.

India's Hindi-language Bollywood cinema industry has long been known as the world's most productive, but international film awards beyond the festival circuit have largely remained the preserve of English-language movies.

That changed when Bong Joon-ho's "Parasite" swept four Oscars in 2020, including Best Film and Best Director, after decades when the plaudits for Korean cinema were confined to the critics.

The only previous Indian Oscars won were for English-language films -- the 1982 British-Indian co-production "Gandhi" and 2008's Mumbai-set British drama "Slumdog Millionaire".

Now Rajamouli hopes a statuette for the dance number "Naatu Naatu" will pave the way for Indian auteurs to do the same.

Shot in front of Ukraine's turquoise presidential palace -- before the war -- it features high-energy performances from the two leads as they confront their antagonist.

"We are breaking ground, but I think we are in very, very initial, initial steps," said the 49-year-old.

"If you see (South) Korea, for example, the kind of inroads that they have made... we should aspire to do that, all Indian film-makers."

- 'Unprecedented' -

Rajamouli was born in the southern state of Karnataka. His father was a scriptwriter who exposed him to the industry.

His early influences included prominent Telugu directors but he found himself drawn to epic Hollywood films such as "Ben Hur" and "Braveheart", and is a fan of Steven Spielberg and James Cameron.

Rajamouli's 2015 historical action-drama "Baahubali" -- then the most expensive film made in India -- made him a household name domestically, leading a wave of southern films to the top of the multilingual country's box office.

The 2017 sequel was well-received, with both movies among the highest-grossing of all time in the nation of 1.4 billion people, cementing Rajamouli's reputation as a blockbuster director.

He was "pleasantly surprised" by the buzz around "RRR" in the West, he said, pointing to what he called a "lack of maximalist entertainment".

"There's a section of audiences who wanted that, a celebratory kind of engagement with the cinema."

Despite appearing on Netflix only two months after it debuted across 1,200 US theatres in March last year, "RRR" has become among North America's highest-grossing Indian films.

It was "unprecedented" and "a total outlier", said analyst David A. Gross of Franchise Entertainment Research.

Audiences continue to flock to packed screenings for repeat viewings -- a January showing at Hollywood's historic TCL Chinese Theatre sold out in 98 seconds.

Rajamouli's films have been compared to Marvel superhero movies and he said it would "be an honour" to be asked to do one -- but he worries that a major studio would want to involve itself in the production process.

- Troubling undertones -

The accolades for "RRR" have also been accompanied by criticism of perceived troubling undertones in the film, including the promotion of Hindu nationalism and hyper-masculinity.

"RRR" contains Hindu mythology and nationalist fervour at a time when film-makers, mostly in Bollywood, have been repeatedly targeted by Hindu right-wingers on social media.

Rights campaigners say that under Hindu nationalist Prime Minister Narendra Modi, Bollywood stars are facing increased pressure -- particularly minority Muslim actors like Shah Rukh Khan and Aamir Khan.

Rajamouli grew up in a "deeply religious" Hindu family but is now an atheist and believes that "religion essentially is exploitation".

He blames criticism of the film on the polarisation of debate in India that does not allow for a middle ground.

"Any extreme point of view, I oppose," he said.

"I don't have any kind of hidden agenda... I make films for people who are willing to pay their hard-earned money on the film ticket.

"I like to get them entertained, make them feel dramatic about the characters, about the situations, have a good time, go back and live their lives."

N.Lo--ThChM