The China Mail - How Spanish cinema hit the big time

USD -
AED 3.672504
AFN 69.456103
ALL 84.764831
AMD 381.290295
ANG 1.789623
AOA 916.000367
ARS 1179.376574
AUD 1.538935
AWG 1.8025
AZN 1.70397
BAM 1.692527
BBD 2.010212
BDT 121.665008
BGN 1.696633
BHD 0.375579
BIF 2964.389252
BMD 1
BND 1.278698
BOB 6.879841
BRL 5.543904
BSD 0.99563
BTN 85.673489
BWP 13.382372
BYN 3.258189
BYR 19600
BZD 1.999913
CAD 1.35865
CDF 2877.000362
CHF 0.812438
CLF 0.024131
CLP 926.026567
CNY 7.181604
CNH 7.18941
COP 4135.519882
CRC 501.838951
CUC 1
CUP 26.5
CVE 95.422093
CZK 21.500904
DJF 177.292199
DKK 6.45704
DOP 58.803167
DZD 130.034183
EGP 49.707931
ERN 15
ETB 134.317771
EUR 0.865404
FJD 2.24825
FKP 0.736781
GBP 0.737708
GEL 2.740391
GGP 0.736781
GHS 10.254857
GIP 0.736781
GMD 70.503851
GNF 8627.060707
GTQ 7.650902
GYD 208.299078
HKD 7.849415
HNL 25.985029
HRK 6.522704
HTG 130.569859
HUF 348.50504
IDR 16299.3
ILS 3.620404
IMP 0.736781
INR 86.184504
IQD 1304.227424
IRR 42100.000352
ISK 124.650386
JEP 0.736781
JMD 159.404613
JOD 0.70904
JPY 144.10604
KES 128.631388
KGS 87.450384
KHR 3992.038423
KMF 426.503794
KPW 899.999993
KRW 1367.140383
KWD 0.30622
KYD 0.829648
KZT 510.665917
LAK 21481.545584
LBP 89206.525031
LKR 298.109126
LRD 199.125957
LSL 17.917528
LTL 2.95274
LVL 0.60489
LYD 5.439834
MAD 9.103111
MDL 17.04989
MGA 4495.694691
MKD 53.251698
MMK 2099.702644
MNT 3581.705956
MOP 8.049154
MRU 39.525767
MUR 45.510378
MVR 15.405039
MWK 1726.364069
MXN 18.95075
MYR 4.245504
MZN 63.950377
NAD 17.917528
NGN 1542.440377
NIO 36.640561
NOK 9.912804
NPR 137.077582
NZD 1.661972
OMR 0.384259
PAB 0.99563
PEN 3.593613
PGK 4.159058
PHP 56.090375
PKR 282.254944
PLN 3.698316
PYG 7944.268963
QAR 3.631864
RON 4.350504
RSD 101.423565
RUB 79.779066
RWF 1437.670373
SAR 3.753593
SBD 8.347391
SCR 14.210372
SDG 600.503676
SEK 9.483995
SGD 1.281904
SHP 0.785843
SLE 22.050371
SLL 20969.503664
SOS 568.99312
SRD 37.528038
STD 20697.981008
SVC 8.711869
SYP 13001.852669
SZL 17.905759
THB 32.405038
TJS 10.055644
TMT 3.5
TND 2.945956
TOP 2.342104
TRY 39.40328
TTD 6.751763
TWD 29.520367
TZS 2573.66622
UAH 41.29791
UGX 3587.901865
UYU 40.932889
UZS 12650.253126
VES 102.167038
VND 26075
VUV 119.102168
WST 2.619186
XAF 567.657825
XAG 0.027532
XAU 0.000291
XCD 2.70255
XDR 0.705984
XOF 567.657825
XPF 103.206265
YER 243.350363
ZAR 17.92535
ZMK 9001.203587
ZMW 24.069058
ZWL 321.999592
  • CMSC

    0.0900

    22.314

    +0.4%

  • CMSD

    0.0250

    22.285

    +0.11%

  • RBGPF

    0.0000

    69.04

    0%

  • SCS

    0.0400

    10.74

    +0.37%

  • RELX

    0.0300

    53

    +0.06%

  • RIO

    -0.1400

    59.33

    -0.24%

  • GSK

    0.1300

    41.45

    +0.31%

  • NGG

    0.2700

    71.48

    +0.38%

  • BP

    0.1750

    30.4

    +0.58%

  • BTI

    0.7150

    48.215

    +1.48%

  • BCC

    0.7900

    91.02

    +0.87%

  • JRI

    0.0200

    13.13

    +0.15%

  • VOD

    0.0100

    9.85

    +0.1%

  • BCE

    -0.0600

    22.445

    -0.27%

  • RYCEF

    0.1000

    12

    +0.83%

  • AZN

    -0.1200

    73.71

    -0.16%

How Spanish cinema hit the big time
How Spanish cinema hit the big time

How Spanish cinema hit the big time

With a Golden Bear for Spanish director Carla Simon and four compatriots nominated for Oscars, including superstars Javier Bardem and Penelope Cruz, Spanish cinema has now begun to captivate a global audience.

Text size:

When Bardem and Cruz, who have been married for over a decade, were both tapped for Oscars, the 53-year-old actor could hardly contain his excitement.

"The fact that (Penelope's) nomination was for a role in Spanish... seems really extraordinary, even historic in terms of the Spanish brand," he said in February.

Unlike other countries with a long and distinguished history of cinema, Spain has struggled to establish itself on the international stage.

So far, Luis Bunuel has been the only Spanish director to win the coveted Palme D'Or at Cannes Film Festival for his provocative 1961 feature "Viridiana".

But all that is changing, with Spanish cinema increasingly recognised for its contribution to the silver screen, the most recent being Carla Simon's triumph at this year's Berlinale where she took the top prize for "Alcarras" (2022), a Catalan drama about peach farmers.

And according to Variety magazine, Cruz is rumoured to be in the running for president of the jury at Cannes, an honour already bestowed upon the legendary Pedro Almodovar, by far Spain's best-known filmmaker.

Cruz herself is the only Spanish actress ever to win an Oscar, taking home the gong in 2009 for best supporting actress in the Woody Allen comedy "Vicky Cristina Barcelona".

And if she wins best actress at the Oscars later this month for Almodovar's "Parallel Mothers", it will be a coup for a film entirely "Made in Spain", whose soundtrack has also been nominated for best original score.

- Years of work by film schools -

The score was written by Basque composer Alberto Iglesias, who has worked with Almodovar for two decades on 13 of his films. This is the fourth time an Iglesias soundtrack has been nominated for an Oscar.

For him, there is "strong momentum" within Spanish cinema.

"There is an energy... it has to do with the film schools that have been working for a long time to create new filmmakers," he told AFP.

"It has been really difficult for Spanish cinema to cross the threshold and get into these big international festivals," explains Pilar Martinez-Vasseur, director of the Spanish Film Festival in the French city of Nantes.

Spanish films which have received acclaim abroad are often not identified as such, she said, pointing to the 2001 psychological thriller "The Others" starring Nicole Kidman which was directed by Spain's Alejandro Amenabar.

"In Spain, we still have the idea that Spanish cinema is bad, that it's a nest of communists, that filmmakers are pampered, they do nothing and get subsidies," she said, calling for greater support from the government.

Filmmaking in Spain receives far less state aid than in France, experts say.

Spanish cinema has had to "learn how to break into a globalised ecosystem," said Beatriz Navas who heads the Institute of Cinematography and Audiovisual Arts (ICAA), which is subsidised by the culture ministry.

"This hasn't happened overnight because you need some sort of 'greenhouse' environment where filmmakers can work with freedom," she told AFP.

"And the 'incubation time' needs to be sufficient for these productions to achieve the recognition and prestige they deserve."

- 'Spanish cinema's best moment' -

As well as Cruz, Bardem and Iglesias, Spain also has a fourth horse in the Oscar race in the shape of Alberto Mielgo's "The Windshield Wiper" which has been nominated for best animated short film.

"This is the best moment for Spanish cinema," said Jose Luis Rebordinos, director of the prestigious San Sebastian film festival.

"We are making a lot of cinema and audiovisual productions in Spain, as well as for streaming platforms which is bringing a lot of work so Spanish film technicians are getting better and better," he said.

Spain's Western-friendly landscapes have drawn Hollywood directors since the 1960s and is becoming an increasingly popular destination for filming series -- Netflix, which set up its first European studios in Madrid in 2019, scored huge hits with "Money Heist" and "Elite".

Last year, the government said it wanted Spain to become Europe's "audiovisual hub", pledging to inject 1.6 billion euros to expand the film and TV production sector by 30 percent by 2025.

"International critics are increasingly focusing on our cinematic output thanks to figures like Almodovar, Javier Bardem and Penelope Cruz," said Rebordinos.

"They are finding ways to draw more attention to Spanish cinema."

C.Mak--ThChM